Design CommissionsDesign Commissions

Design agency 75B has created a new routing to guide Het Nieuwe Instituut's guests and employees through the foyer during the corona crisis.

Christine Alberts created the graphic identity for the Habitat exhibition and publication and the 2018 and 2019 Annual Reports.

Ronja Andersen designed the graphics for the New Material Award 2016 exhibition and the accompanying booklet. For the Jaap Bakema Study Centre she created a set of communications tools.

Samira Ben Laloua designed the exhibition graphics, flyer and poster for the exhibition 1:1 Sets for Erwin Olaf & Bekleidung in 2013.

Koos Breen developed the graphic and spatial design of For The Record, a long-term study of contemporary video culture as a public space for activism, commerce and emancipation.

Artist and designer Frank Bruggeman created the spatial design for the exhibition Dissident Gardens (2018).

Goda Budvytytė designed the graphic identity for the exhibition Art on Display 1949–69 (2020).

Ira Koers and Roelof Mulder conceived the spatial design of the Finders Keepers exhibition in 2017 and the presentation of the 2018 New Material Award.

David Bennewith collaborated as a graphic designer on the exhibition Munich 1972. The Design of a Democratic Body in 2017.

Irma Boom specialises in book design. In 2016, in partnership with Malkit Shoshan, she designed the exhibition graphics and printed matter for BLUE, submission to the Venice Architecture Biennale.

Kévin Bray and Thomas Buxó devised the graphic identity of The Life Fair exhibition in 2016.

Experimental Jetset designed the exhibition graphics, printed matter and digital materials for the exhibitions Open, A Bakema Celebration in 2014, Hacked in 2015 and Space Embodied in 2016.

Bas van de Poel curated the Malware exhibition (2019). He also developed its graphic and spatial design together with Astin le Clercq.

Collective Works (Karin Mientjes and Peter Zuiderwijk) created the spatial design for the 2018 Prix de Rome Architecture exhibition.

Patrick Coppens designed the exhibition graphics and printed matter for Structuralism (2014).

Set designer Katrin Bombe created the exhibition design for Lithium (2020).

Raphael Coutin devised the spatial design for the exhibition Hacked by Van Slobbe and Van Benthum, which was part of the Temporary Fashion Museum (2015), WORK, BODY, LEISURE (2016), and Neuhaus (2019).

Ines Cox created the graphic design for The Hoodie exhibition and the 2014 New Material Award (together with Lauren Grusenmeyer).

Daphna Laurens (Daphna Isaacs Burggraaf and Laurens Manders) created the spatial design for the exhibition PLASTIC: Promises of a Home-made Future (2015).

Lesley Moore design studio executed the graphic design for the 2018 edition of the Prix de Rome Architecture.

Olivier Goethals designed the installation for I See That I See What You Don't See, the Dutch contribution to the 2019 Milan Triennial.

Marc Hollenstein designed a house style for Sonneveld House museum and the projects that take place there. His contribution includes a website, flyers, banners, web covers and display graphics in the house.

Marius Jopen and Max Kuwertz designed the identity for a series of exhibitions about the body in 2016, including two magazines, posters, flyers and digital items such as banners and web covers.

Joris Kritis and Julie Peeters designed the exhibition graphics and printed matter, including flyers and posters, for the exhibition Designing Scarcity (2014).

Valentijn Goethals and Tomas Lootens have designed the last three issues of Surprising Finds from the Collection. They also designed a website for the Dutch contribution to the 2016 London Design Biennale, Design Diorama.

Timon van der Hijden was invited to realise an intervention and design the graphic layer of the exhibition Surprising Finds from the Collection #2 Nightbirds (2014).

Together with Bart van Merode, Roel Huisman shaped the spatial design of the Speculative Design Archive exhibition in 2018

Karlis Krecers designed the graphics for two outdoor exhibitions in 2015: the Rotterdam Innovation Market below the archive building and The New Garden.

Hans Gremmen created the graphic design for the exhibition WORK, BODY, LEISURE in the Dutch pavilion at the Venice Biennale 2018.

Sandra Kassenaar worked as a graphic designer on three parts of the Temporary Fashion Museum in 2015, and on Finders Keepers (2017), Sicco Mansholt. A Good European (2014), and Designing Health.

Architect Paul Kuipers created the spatial design for Steve Bannon: A Propaganda Retrospective, an exhibition project by Jonas Staal (2018).

Christian Lange created the graphic design for The Other Architect exhibition (2017).

Rudy Guedj designed the graphic layer and visuals for the exhibitions I See That I See What You Don't See, Garden of Machines and Fashion Data. He also created the house style for the Nieuwe Instituut's education programme.

Marieke van den Heuvel devised the spatial design for the exhibition What is the Netherlands? 14 Entries to the World Fair (2015).

The Danish designers Kristoffer Li and Kristoffer Sølling designed a web cover and posters for the weekly Thursday Night Live! programme of lectures and debates.

Lu Liang designed the communications tools for the exhibition Made by Us at the 2013 Architecture Biennale in Shenzhen and the exhibition What is the Netherlands?.

Bart Guldemond developed the spatial design for the exhibitions Munich 1972. The Design of a Democratic Body (2016) and Prix de Rome Architecture 2014.

Elisabeth Klement designed a publication for the Nieuwe Instituut about Roos Meerman’s New Material Award fellowship.

Jannetje in 't Veld and Toon Koehorst of Koehorst in 't Veld curated and designed the exhibitions WOOD (2014), GLASS and Atelier Nelly and Theo van Doesburg (2020).

Designer Sabine Marcelis shaped the new interior of the Research Centre (2021).

A 'temporary intervention' by graphic designer Karel Martens marked the transition from three individual organisations to the Nieuwe Instituut. He also designed the exhibition graphics for the first exhibitions The Ruin and Biodesign in 2013.

Laura Pappa created the graphic design for the New Material Award 2018.

Gailė Pranckūnaitė and Mislav Žugaj designed the graphic identity for the exhibition for Neuhaus (2019).

Nerijus Rimkus designed a graphic identity for Disclosing Architecture, of which the graphic design for the exhibition Atelier Nelly and Theo van Doesburg (2020) is an outgrowth. He also created the exhibition graphics for Sleep Mode: The Art of the Screensaver (2017).

Metahaven made a video and web cover for Benjamin Bratton's Benno Premsela Lecture in 2015 and designed the publication Total Space.

Luca Napoli devised the graphic design for Thursday Night Live!, the lecture and debate programme of the Nieuwe Instituut.

Our Polite Society, founded by Jens Schildt and Matthias Kreutzer, designed the graphic identity for the exhibition Prix de Rome in 2014.

Eric Roelen has been involved in several exhibitions at the Nieuwe Instituut, and in the design of the entrance, foyer and the Nieuwe Cafe.

Maureen Mooren has designed the campaigns, including printed matter, digital materials and banners for projects that comprise multiple exhibitions, such as the Temporary Fashion Museum.

Marius Schwarz developed the graphic design for Open Archive (2019), a project that brings creators and heritage institutions into dialogue on the importance of creative reuse of heritage.

Jochem van der Spek designed the web covers for the research projects Water & Urban Development and Nature & Spatial Design (2014).

Studio Veronica Ditting did the art direction and designed the graphic layer for the Speculative Design Archive exhibition (2018) and related communications.

Architecture firm Monadnock (Job Floris and Sandor Naus) shaped the spatial design of the Designing the Surface exhibition (2017).

Studio Moniker developed the concepts for the Nieuwe Instituut’s website, its web covers and the interactive digital installation Neuhaus.world (2019).

London’s OK-RM (Oliver Knight and Rory McGrath) created Designing the Surface’s graphic design and the concept behind the exhibition texts and captions.

Makkink & Bey realised the design of the series of exhibitions Surprising Finds from the Collection (2014-2016), the presentation Collected by .., and Design Diorama, the contribution to the 2016 London Design Biennale.

OS_Studio realised the spatial design of the exhibition Designing Scarcity (2014).

Studio L A (Arna Mačkić and Lorien Beijaert) realised the spatial design of the exhibitions The Hoodie (2019) and Letters to the Mayor (2018).

Team Thursday was responsible for the graphic design around the exhibition PLASTIC: Promises of a Home-made Future (2015).

As art director, Herman Verkerk was responsible for the overarching concept of the design of the Temporary Fashion Museum (2015).

Maud Vervenne created the graphic designer for the publication Architecture of Appropriation. On Squatting as Spatial Practice (2019), the visual identity of the installation G/D THYSELF: Spirit Strategy On Raising Free Black Children (2020), and the presentation series By You.

In 2020, visual artist Rutger de Vries realised an intervention in the Nieuwe Instituut’s bathroom and cloakroom.

Claus Wiersma developed the spatial design for the exhibition The Life Fair. New Body Products. (2016).

Scenographer Wikke van Houwelingen (of Marloes & Wikke) designed the exhibition Garden of Machines (2015) together with Roel Huisman.