Collecting Otherwise
Bibliotheek
In het licht van de eerste iteratie van Collecting Otherwise, Seen/Unseen, waarin archieven worden bekeken vanuit een feministische, queer en dekoloniale lens, worden onderstaande bronnen aangedragen om vormgeving en architectuur vanuit intersectioneel standpunt te begrijpen.
Archivering, collectiviteit en zelfpublicatie
Stichting Goed Wonen: Workgroup. Collection Het Nieuwe Instituut, SGWO f1-100. © Arjé Plas/MAI.
Architectuur / Gemeenschap / Geschiedenissen Building Sisterhood: How Feminists Sought to Make Architecture a Truly Collective Endeavor
Women’s Liberation Workshop in London, Public domain, via Wikimedia Commons
Collectiviteit / Ontwerp / Geschiedenissen The Radical Posters of a British Women's Art Workshop
Gunta Stölzl, Slit Tapestry Red-Green, 1927–28. Source: Leire Orueta Gómez, via Wikimedia Commons
Gemeenschap / Geschiedenissen / Ontwerp Women of the Bauhaus
Film still, “The Museum Will Not Be Decolonised”, Arwa Aburawa. Source: https://vimeo.com/302162709
Dekolonialiteit / Verhalen / Leemtes The Museum Will Not Be Decolonised
Collection Het Nieuwe Instituut, MACL_71
Verhalen / Proces / Gemeenschap Archive and Aspiration
Sketch for New Archive Interpretations. Image: Richard Vijgen
Verhalen / Ontwerp / HNI New Archive Interpretations
Borsaline after work. Alessandria, 1941. From A Hat and a Bicycle. Welfare capitalism and the female working body by Elisa Giuliano
Arbeid / Lichaam / Industrie A Hat and a Bicycle. Welfare capitalism and the female working body
Betty Jennings (Mrs. Bartik) and Frances Bilas (Mrs. Spence) operating the ENIAC’s main control panel while the machine was still located at the Moore School. Source: ARL Technical Library/Historic Computer Images/Public Domain
Geschiedenissen / Lokaal / Macht The Undutiful Daughter's Concept of Archival Metabolism
Arrangement of various office furniture. Collection Het Nieuwe Instituut, VRIX_ph951-a.
Arbeid / Instellingen / Gemeenschap Toolkit for Cooperative, Collective, & Collaborative Cultural Work
Leven, vloeibaarheid en ruimte
Constant Nieuwenhuys, New Babylon, 1961, litho. Collection Het Nieuwe Instituut, archive Academie van Bouwkunst Amsterdam (ABAM). Copyright Pictoright.
Queer / Architectuur / Leemtes Queering Architecture: (Un)Making Places
Model homes Amsterdam Osdorp, 11-1959 / 8-1969. Collection Het Nieuwe Instituut, SGWO_f36-66a
Ruimte / Geschiedenissen / Proces A Room of One's Own
Earth Moves: The Furnishing of Territories, by Bernard Cache. Source: Riverwash Books
Verhalen / Subjectiviteit / Oorsprong Earth Moves: The Furnishing of Territories
Page from “De Keurige Leugens van het Officieel Fatsoen". Collection Het Nieuwe Instituut, BOOQ_fa 12-41
Queer / Leemtes / Subjectiviteit Cartographies of the Present
Gemeenschap / Geschiedenissen / Voorstelling Performing the Archival Body: Inciting Queered Feminist (Dis)locational Rhetorics Through Place-Based Pedagogies
Ruimte / Intersectionaliteit / Ontwerp Afaina de Jong: 'De architectuur hier mist vrouwen'
Vertellen, positionaliteit en zorg
Yearning: Race, Gender, and Cultural Politics, by bell hooks. Source: Taylor & Francis Group
Intersectionaliteit / Leemtes / Dialoog Choosing The Margin As A Space Of Radical Openness
“Your silence will not protect you. -Audre Lorde” New York City Women's March, January 2017. Source: oinonio, via Wikipedia Commons.
Verhalen / Vloeiendheid / Collectiviteit Poetry Is Not a Luxury (1985)
Rossella Biscotti, Senza titolo (Dai tempo al tempo), 2008. Video, 16 mm. on DVD, 11’05’’ min, sound by Jacob Kirkegaard. Courtesy Archivio Pietro Pensa CC-BY-SA. Artwork commissioned by Associazione Amici del Museo delle Grigne Onlus, curator I…
Dekolonialiteit / Verhalen / Hiaten Refusing to take root
![Zaha Hadid, Beth Gali, Laura Thermes, together with organisers Susanne Komossa (lecturer in Architecture) and Anna Vos (lecturer in Women’s Studies) at a plan meeting for the design course “Proloog tot Zichtbaarheid” [Prologue to Visibility], 19…](https://cmsfiles.nieuweinstituut.nl/euhrkbteuadpkyqmz3j8rtpbb0uyvvja_2729b75448.jpeg "Zaha Hadid, Beth Gali, Laura Thermes, together with organisers Susanne Komossa (lecturer in Architecture) and Anna Vos (lecturer in Women’s Studies) at a plan meeting for the design course “Proloog tot Zichtbaarheid” [Prologue to Visibility], 19…")
Zaha Hadid, Beth Gali, Laura Thermes, together with organisers Susanne Komossa (lecturer in Architecture) and Anna Vos (lecturer in Women’s Studies) at a plan meeting for the design course “Proloog tot Zichtbaarheid” [Prologue to Visibility], 19…
Verhalen / Erfgoed / Identiteit Knooppunt Oral History: Sprekende Geschiedenis