How does the power of the archive shape curatorial work? What forms of sociality emerge from the process of working with artists, curatorial staff and other collaborators? And how do curators navigate the power dynamics and institutional roles that mediate this process? What are the roles of care and facilitation in curating? How might curating be understood as ‘anarrangement’, meaning a collaborative practice of arranging that works up and over, across, through, back and against?