Josien Paulides, Business Director of the Nieuwe Instituut in Rotterdam, has announced that she will leave the organisation at the end of February 2024. Paulides will become Director-Manager of the Museum Catharijneconvent in Utrecht.

On Thursday 16 November 2023, the meeting Memory of the Designed Landscape #1 took place in the Tolhuistuin in Amsterdam.

Writer Marsha Bruinen speaks with NADD-partner Robert van Rixtel about his archiving practice and personal approach. Here, we are introduced to his methodology through the lens of his Roots publications.

The Design Drawings Damage Atlas is a practical tool to help collection managers identify and classify damaged images in design drawings. You can download it here.

A selection of texts written by participants in the See Studio, which took place in Cape Town in November 2022, can now be read online.

At this year’s Venice Biennale, architect Jan Jongert of Superuse Studios provided the Dutch contribution, Plumbing the System. In a personal account, Jongert recalls in seven parts how the contribution came about.

Architecture Archives of the Future delves into the evolving relationships between architectural practice, archival research, and exhibition making. The proceedings the 10th annual conference of the Jaap Bakema Study Centre, are now available for download.

Exhibition marking the 100th anniversary of the National Collection of Dutch Architecture and Urban Planning places the legacies of design and planning in dialogue with the needs of the present and future.

John Habraken died on 21 October this year. Architect Jo Coenen, a former student of Habraken, reflects on their collaboration and his significance for architecture.

Theo van Doesburg’s 1926 model of the interior of Café Aubette will be on temporary display at the Kunstmuseum in The Hague.

Nieuwe Instituut and the Archis Foundation announce a long-term partnership that will see Volume magazine, the bi-annual international journal of architecture and design culture, become a collaboration between the two organisations.

Ali T. As’ad draws from his research into Palestinian exhibition-making and museum practices and argues for a museological practice that departs from conventional pursuits of universal objectivity to reflect more inclusive and pluralistic indigenous histories.