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The history and the contemporary relevance of Dutch Structuralism were at the center of the publication 'Structuralism: An Installation in Four Acts', With contributions from, among others, Guus Beumer, Piet Blom, Dirk van den Heuvel, John Habraken, Joop Hardy, Herman Hertzberger and Lada Hršak / Bureau LADA.

As part of the Dutch contribution to the 14th edition of the Venice Biennale a special publication was made. It served as a supplement for Volume #41.

The publication was the outcome of a collaboration between The Berlage, TU Delft, Het Nieuwe Instituut and Volume. It contains interviews, statements and design proposals, both historical and contemporary ones.

December 2010 The Centre Pompidou in Paris opened a large-scale exhibition on De Stijl and Piet Mondriaan. This is first time that such a significant retrospective of this avant-garde movement and one of its most prominent representatives has been held in France. The NAI has loaned more than 100 items for this exhibition from the archives of architects such as Theo van Doesburg, Cornelis van Eesteren, J.J.P. Oud, P.J.C. Klaarhamer, Jan Wils and J.M.L. Lauweriks.

In April 2010 The Kröller-Müller Museum mounted an exhibition about the life and work of Robert van 't Hoff (1887-1979) - a socially committed architect who turned his back on De Stijl because of its lack of social engagement. NAI managed the small Van 't Hoff archive.

The city of Lille in Northern France aims to develop into a business center rivaling London or Brussels. OMA, the office of Rem Koolhaas, has given form to this ambition in the Euralille master plan. It was a largescale and complex design assignment. The Euralille dossier - part of the OMA archive - has been inventoried and made accessible.

The exhibition Piet Sanders: a Dream Collection (2015/2016) presented a number of the architectural models Sanders has donated to the NAI from his private collection. The makers of the models include Asymptote, Peter Eisenman, John Hejduk and Daniel Libeskind. The library has also regularly benefitted from Sanders' generosity over the years. In addition, the NAI has made a small selection from his donations consisting of publications by and about a designer in whom Sanders took a particular interest: the American architect John Hejduk (1929-2000).

March 2004 the NAi transferred the entire archive of Rem Koolhaas/OMA from the collection depot to the exhibition gallery. The exhibition START showed archival material stretching for a length of 105 metres. The NAI took this opportunity to demonstrate how it manages and preserves cultural heritage. This heritage is made up of not only historical archives but also the archives of contemporary architects whose future importance is already evident.