Nieuwe Instituut
Nieuwe Instituut

Sonneveld House

Designing the Social

3 July 2021 - 1 June 2024

Home

Feminist Design Strategies

RoXY: nightclub as cultural crowbar. Room in Designing the Social. Photo Johannes Schwartz.

This room is no longer on show in the museum

Four women forming triangles, or the Yoni sign, with their hands against a white wall, counter clockwise from bottom right: Tania Leon, Lida van den Broek, Ananda Spies, Margrethe Rumeser, year: 198?, photo: Gon Buurman. Source: Collection IAV-Atria

Group portrait Sister Outsider collective, members from left to right: Tania Leon, Gloria Wekker, Joice Spies, Tieneke Sumter, in front of the [Migrant and Black Women’s Center Flamboyant], Amsterdam, 1986(?), photo: unknown. Source: Collection IAV-Atria

Design course by Anita Koster at De Born, training centre for the empowerment of women in Bennekom, 1980, photo: Catrien Ariëns. Source: Brabants Historical Information Centre
 


Making of “Zwart aan Zet” [Black Moves], a publication by the Group Zwarte Vrouwen Nijmegen, at the Villa Lila Nijmegen, 1985, Lily van Engen, Grace Stulting and Mo Salomon, photo: An Stalpers. Source: Fotografica Nijmegen 


For a long time, the (his)story of architecture, urban planning and design seemed to be a matter for white men. Other voices, such as those of women 'herstories' remained grossly underexposed. During the second feminist wave (1968-89) countless networks and initiatives had formed in the Netherlands that fought this distorted image.

The Vrouwen Bouwen Wonen ('Women Building Housing') network, the Sister Outsider collective, and a publication like Zwart aan Zet ('Black Moves') illustrate the diversity of approaches and powerful design strategies intended to reshape society. 

Under the heading of solidarity, the women's movement manifested itself in all kinds of social areas. Yet equality was not guaranteed even within their own circles. Women of colour, or women who did not belong to the majority because of sexual orientation or religious beliefs, had to fight for recognition. The research presented here highlights collectives for whom the struggle against the oppression of women was linked to the resistance against other forms of discrimination. Such an intersectional approach, characteristic of current feminism, was not self-evident for this particular generation. 

The period 1968-89 clearly showed how the highly personal and the political are intertwined. And how important networking and self-organisation are to escape patriarchal structures. The feminist design strategies focused on the exchange of knowledge and skills, on protest actions, publication and construction activities. Dutch archives, including the National Collection at Het Nieuwe Instituut, bear witness to both quiet and openly expressed oppositions to the status quo and the way the social system in the Netherlands was designed. 

Today, these herstories are as urgent as ever. They give insight into practices based on designing equality, by first acknowledging each other's differences and multivocalities, to fight all forms of oppression.

Researcher Setareh Noorani, together with designer and co-researcher Tabea Nixdorff, present the process and archival work behind the room “Feminist Design Strategies”

Concept and design: Tabea Nixdorff Research and texts: Tabea Nixdorff, Setareh Noorani

This project was made possible thanks to:

Volkskracht logo
Zabawas logo
BPD logo

Nieuwsbrief

Ontvang als eerste uitnodigingen voor onze events en blijf op de hoogte van komende tentoonstellingen.