Nieuwe Instituut
Nieuwe Instituut

Sonneveld House

Designing the Social

3 July 2021 - 1 June 2024

Home

Life in the Digital City

RoXY: nightclub as cultural crowbar. Room in Designing the Social. Photo Johannes Schwartz.

Marjolijn Ruyg. Folder De Digitale Stad 3.0, 1995

When De Digitale Stad (DDS) - 'The Digital City' - was founded in 1994, only a few hundred Dutch people had internet access. Yet the promise of the new medium sent a shockwave through society. Now, barely 30 years later, it is clear how radically digitisation has changed the world. The history of DDS reveals the urgency of the questions it posed. These remain relevant today. For example, how should digital citizenship look, and what role can the internet play in bridging the gap between politics and citizens? 

Avatar generator, De Digitale Stad. (Collection AmsterdamMuseum
DDS 1993/Remake: Waag (BY-NC-SA)

Text menu De Digitale Stad (Collection AmsterdamMuseum
DDS 1993/Remake: Waag (BY-NC-SA)

The cultural centre De  Balie and the computer magazine Hack-tic drew inspiration for the idea of ​​DDS from the first foreign 'freenets', virtual communities that were mainly active in the USA. DDS wanted to familiarise users with the digital domain in an accessible way. To that end, it introduced the metaphor of the city. You navigated this urban environment as an online citizen, going from a public gathering in the square, to the post office to pick up and send messages, perhaps making a short stop in the café to meet friends and strangers. Initially, the interface relied solely on text. In later phases, the many functions were visualised. 

The non-profit internet provider managed to form a vibrant digital community, particularly among cultural trendsetters. Idealism and political commitment were important drivers. After all, the internet offered everyone the opportunity to acquire, share and discuss information. The digital citizen was simultaneously sender and receiver, independent of control by traditional media or official bodies. 

At the time, DDS opted in principle for total user control. It determined which data was shared and which was not. Today, completely different players control data traffic and make big money from it. The visionary model of DDS could not prevent the digital space from becoming increasingly privatised, and the digital citizen from becoming a digital consumer.

Researcher Klaas Kuitenbrouwer, together with designer Simone C. Niquille, present the process and research behind the room "Feminist Design Strategies"

DDS City Walk

On a tour of the Digital City with Marleen Stikker

read more

Exhibition view, photo: Johannes Schwartz

Soundscape

Podcast production: Steven Driehuis

Soundscape contributions

  • Michaël van Eeden
  • Mieke Gerritzen
  • Rob van der Haar
  • Liesbeth van de Kar 
  • Nina Meilof 
  • Ine Poppe
  • Marjolijn Ruyg 
  • Marleen Stikker 
  • Hanneke Vermeulen

Avatar generator, De Digitale Stad. (Collection AmsterdamMuseum
DDS 1993/Remake: Waag (BY-NC-SA)

DoDo Generator

Concept, research, design and soundscape: Simone C Niquille

This project was made possible thanks to:

Volkskracht logo
Zabawas logo
BPD logo

Nieuwsbrief

Ontvang als eerste uitnodigingen voor onze events en blijf op de hoogte van komende tentoonstellingen.