FUNGI: Anarchist Designers Now Open at the Nieuwe InstituutFUNGI: Anarchist Designers Now Open at the Nieuwe Instituut

• FUNGI: Anarchist Designers opened on 20 November at the Nieuwe Instituut, the Dutch national museum for architecture, design and digital culture in Rotterdam.

• Curated by anthropologist Anna Tsing and designer Feifei Zhou, the exhibition showcases fungi as independent designers, allies and world builders that undermine capitalist and human-centred mindsets.

• Visitors experience FUNGI by following a walking route through various galleries. Each gallery tells part of the story of how fungi can cause decomposition, death and destruction, yet also work together with human and non-human life.

• At the heart of FUNGI are seven new pieces created specifically for the exhibition through collaborations between artists and scientists.

• In addition, various commissioned works, loans, two poems, five manifestos and archival documents from the Nieuwe Instituut’s collection are on display.

FUNGI: Anarchist Designers opened last Thursday (20 November) at the Nieuwe Instituut, the Dutch national museum for architecture, design and digital culture, located in Rotterdam. The exhibition was curated by the acclaimed anthropologist Anna Tsing, whose book The Mushroom at the End of the World has inspired countless thinkers, creators, activists and designers, and the designer Feifei Zhou (terriStories).

During the opening, a special, sold-out lecture took place. Moderated by philosopher Rosi Braidotti, Anna Tsing entered into a conversation with the American philosopher and historian of science Donna Haraway - both dressed up as mushrooms! Donna Haraway is in the Netherlands this week to receive the Erasmus Prize.

Afterwards, the hundreds of interested visitors were the first to experience FUNGI, an exhibition which explores the intersection of science, art and design. In it, the Nieuwe Instituut challenges the traditional boundaries of design disciplines. What can we learn from non-human life?

Curators Zhou and Tsing take visitors outside their human-centric comfort zone and into a world in which fungi are not just a trendy new material, but anarchistic designers who disregard our needs and challenge our desire to control everything.

At the heart of FUNGI are seven new pieces of art created specifically for the exhibition. These are the result of collaborations between artists and scientists. The artists have reinterpreted existing scientific research and translated it into paintings, sculptures and multimedia installations. These works showcase fungi as independent designers, allies, and world builders. In addition, also on display are four commissioned individual works, and several loans by artists including Lizan Freijsen, Olafur Eliasson and Annicka Yi.

Visitors can experience the story of FUNGI across various sections and galleries. The first gallery, Break, demonstrates how fungi attack materials in places such as kitchens and hospitals, despite human attempts to prevent this. Such attacks also affect agricultural monocultures, as demonstrated in the installation about coffee rust called Contagious Extraction (Filipp Groubnov, Ivette Perfecto and Zach Hajian-Forooshani, 2025).

The second room, Assassinate, has a more ominous atmosphere, partly due to the ‘infection’ of a wriggling mycelium in the air (Hajime Imamura, Mushrooms are Messengers of Mortality, 2025). This room tells the story of how fungi can become a deadly force, partly due to industrial agriculture and globalisation. The sculpture Perforated Protection (Oscar Furbacken, Lee Berger, Jamie Voyles and Danielle Wallace, 2025), for example, is a memorial to the countless frog species that became extinct after the Bd fungus spread via global trade.

The third room, Mobilize, takes a more optimistic approach, demonstrating how fungi can coexist with human and non-human life, from termite mounds and elephant dung to the human digestive tract and architecture. This is evident in the installation Architecture must rot (Chair for Biohybrid Architecture, 2025), in which architect Phil Ayres allows fungi to take the lead in ecological design. It also demonstrates how fungi live on the trees in the adjacent New Garden to support its zoöp, the museum’s governance model that takes non-human life into account.

Concluding the exhibition, the final corridor features five manifestos that invite visitors to consider the implications of our current relationship with non-human life and its potential impact on the future, and which new ideas warrant further exploration.

Anna Tsing and Feifei Zhou, curators of FUNGI: Anarchist Designers, say: “With this exhibition, we invite visitors into a world that fungi take the lead. If there’s one message to take away, it’s that our industrial models are failing - not just us, but the ecosystems we depend on. Fungi are world-makers on their own terms, not according to human plans. We must learn to live with them by becoming collaborators.”

Aukje Bolle, General and Managing Director of the Nieuwe Instituut, says: “As a museum dedicated to architecture, design and digital culture, our aim is to envision potential futures. With Fungi: Anarchist Designers, the Nieuwe Instituut demonstrates that we can draw abundant inspiration from non-human life when shaping our world, whether in terms of the built environment, designed objects or our own behaviour. The form and working methods of fungi and moulds teach us how – creating a strong network from the bottom up, and no longer focusing on perpetual growth, but rather on achieving a balance between production, consumption and reduction.”

FUNGI: Anarchist Designers is on display at the Nieuwe Instituut until 9 August 2026. This exhibition has been made possible thanks to the support of the Cultuurfonds, the Mondriaan Fund, the Graham Foundation for Advanced Studies in the Fine Arts, and the Iona Foundation.

Further information can be found at: nieuweinstituut.nl/en/projects/fungi-anarchistische-ontwerpers

Press kit:
Download the press kit with more info and accompanying images here.

Contact:
Robin van Essel, Press Officer +31 (0)6 3803 9218, r.vanessel@nieuweinstituut.nl

Curators:

• Anna Tsing is an internationally renowned anthropologist who is affiliated with the University of California, Santa Cruz. Her book, The Mushroom at the End of the World, is widely regarded as one of the most influential publications of the past decade, bridging the fields of ecology, the critique of capitalism and more-than-human thinking..

• Designer Feifei Zhou (terriStories) works at the intersection of spatial design, ecology and visual culture, and is known for her interdisciplinary interpretations of complex scientific processes.

Scientist-artist duos:

• Ivette Perfecto and Zachary Hajian-Forooshani with Filipp Groubnov
• Matteo Garbelotto with Kyriaki Goni
• Lee Berger and Danielle Wallace with Oscar Furbacken
• Alyssa Paredes with Maia Cruz Palileo
• Bettina Stoetzer with Åsa Sonjasdotter en Berkveldt
• Rob Dunn with Baum & Leahy
• Shiho Satsuka with Liu Yi

Individual commissions:

• Phil Ayres
• Animali Domestici
• Hajime Imamura
• Frank Bruggeman & Klaas Kuitenbrouwer

Loans:

• Toshimitsu Fukiharu
• Lizan Freijsen
• Olafur Eliasson
• Annicka Yi
• Laura Nolte
• Michael Poulsen
• David Dunn

Spatial design:

• Marloes and Wikke

Graphic design:

• Jacob Hoving and Maud Vervenne